Those circumstantial conjunctions would become the enduring matrix of a set of questions about aesthetics, race, and politics that continued to engage me on a track that ran parallel to my ongoing work on Ireland and postcolonialism. Coming to such questions from research into Irish nationalism and anticolonialism, where the role of culture in the shaping of political subjects was so prominent, I found myself pursuing them into the terrain of aesthetic philosophy, the foundation of the humanities disciplines that were most troubled by the culture wars.

How could institutions whose missions promised democratic inclusivity and enlightened inquiry remain in practice so resistant to the project of racial desegregation? To approach that question was, in the context of the intellectual left’s then-pressing concern with ideology and institutions, to inquire into the political formation of subjects that educational institutions were charged with producing.

The initial framing of its arguments stemmed from the “culture wars” of the late 1980s, out of a need to account for the seemingly unyielding racism of the so-called liberal institutions. Under Representation is one of those books. They map out the shifting perspectives and learning processes that the passage of time hopefully entails. Preface vii Introduction: Under Representation The Aesthetic Regime of Representation The Pathological Sublime: Pleasure and Pain in the Racial Regime Race under Representation Representation’s Coup The Aesthetic Taboo: Aura, Magic, and the Primitive 1 19 44 69 95 124 Notes Bibliography Index 161 205 221 p r e fa c e There are books whose unfolding, from a handful of ill-formed questions to the work that ﬁnally appears, takes so many years that their chapters begin to resemble fragments of a memoir. Printed in the United States of America 21 20 19 5 4 3 2 1 First edition contents 1. Visit us online at Library of Congress Cataloging-in-Publication Data available online at. Some content that appears in print may not be available in electronic books. Fordham University Press also publishes its books in a variety of electronic formats. Fordham University Press has no responsibility for the persistence or accuracy of URLs for external or third-party Internet websites referred to in this publication and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means- electronic, mechanical, photocopy, recording, or any other- except for brief quotations in printed reviews, without the prior permission of the publisher. Copyright © 2019 Fordham University Press All rights reserved. U n d e r Re p r e s e n tat i o n Under Representation The Racial Regime of Aesthetics David Lloyd fordham university press New York 2019 Fordham University Press gratefully acknowledges ﬁnancial assistance and support provided for the publication of this book by the University of California, Riverside.

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