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If it involves pop singers, dancing, or crisp lines in your pants, that’s gay. Undercover Brother conflates white culture and gay culture too much for this gay writer’s liking. To show that his character Lance isn’t down for the cause, he scream-sings Christina Aguilera’s What a Girl Wants. We get more odd character choices from NPH.

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Feather is fascinating because I have no idea how to do it the right way. Let’s get it bumping indeed, Kattan! I don’t quite know how to feel about Kattan keeping his appropriation of Black culture a secret. So we are left to watch him fail to resist the old school bounce of Mary J. No matter how many times I’ve checked, he’s not.

(Which is fine, because I am gay.) But Kattan is not. In portraying a white man who loves Black popular culture, Kattan reads as gay to me. On paper, I actually think it’s a great character description. Feather hates himself for loving Black culture. In Undercover Brother, Kattan plays a foot soldier of The Man who outwardly HATES Black culture and diversity … but he secretly wants to be a part of it. (Keanu as a doctor? Dream on, Hollywood, I ain’t buying it). Even more confusing than Keanu Reeves’ performance in Something’s Gotta Give. Feather is the most confusing performance the world has ever seen. It’s wild in these streets, folks.Ĭhris Kattan’s performance as Mr. I think we should show that white audiences must learn and grow, and not in the way NPH’s character Lance grew - by watching one viewing of Roots, apropos of nothing, and suddenly “getting” racism. We never see the white people come to terms with their ignorance so the message is “white people are hopeless and will always be racist and will never see Black people fully.” This is a grim view, one that feels very 2001. Funny, but also tragic because the white people never get their comeuppance. Like the bizarre scene at a clothing store when Undercover Brother shouts at Sistah Girl, then an intercom alerts everyone to an angry Black man in the store. But not everyone worked for The Man! There are so many scenes with white people being casually racist with no repercussions.

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Most of the white people in this movie worked for The Man and wanted the downfall of all Black things and people. We gotta talk about the white people in this movie. (Although if I’m being honest, it is the nastiest thing I’ve ever tasted and I’d rather eat literally anything else! So maybe UB got that part right.)

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Do I have to give up my skin color? And I’ll eat mayo in a pinch. Not only do these stereotypes separate white and Black people, they also confuse young Black people watching. He exists to remind us of The Empire Strikes Back. God, watching BDW in Undercover Brother is eerily similar to watching him in Tim Burton’s Batman. Or to get him some coffee so Billy Dee can wake up and make a choice as an actor. Essentially, BDW plays a Black general who The Man kidnaps and brainwashes, and it’s up to the B.R.O.T.H.E.R.H.O.O.D. Dee Williams is sleepwalking through this whole movie. Maybe a lot of his good stuff ends up on the cutting room floor, but damn y’all, Mr. I have YET to be impressed by a Billy Dee Williams performance and Undercover Brother hasn’t changed my mind. To be cool you have to use slang from the seventies? Since when? “Dissed.” “Soul.” “Right on.” It’s dated to the point of being confusing at times. BAD! Because Undercover Brother harkens back to 1970’s blaxploitation films, there’s a lot of throwback lingo that does not work. Chappelle is on fire in this movie! Watching Undercover Brother reminds us exactly how he was able to write, star, and produce his own sketch comedy show. But the actor who does a real star-making turn in this movie is Dave Chappelle. Neil Patrick Harris was in his post-Doogie Howser phase when he was just Neil Patrick Harris-ing all over the place. The actors are out of this world! In 2001, most of these actors were not exactly in high demand. Which for this writer is the perfect proportion. Undercover Brother also has a good action-to-comedy ratio, something like 40% action and 60% comedy.

Keeping everything fast and loose makes every scene feel necessary. One minute Undercover Brother and Sistah Girl are falling down a secret passageway to the underground lair of the B.R.O.T.H.E.R.H.O.O.D, and the next minute Undercover Brother is using his elongating platform shoes to grow really tall and hop an even taller fence. With everything moving at such a quick pace, we viewers can’t really stop and think about how crazy everything is.